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Cars Britain Bought vs What It Really Wanted

26/4/2026

1 Comment

 
By Paul S
​Because nothing sharpens the contrast quite like horsepower… and price tags.
There’s a simple way to understand British car culture: follow the money. Not the glossy brochures or motor show fantasies—but the actual pounds leaving people’s wallets. Because while enthusiasts talked about horsepower and top speed, most buyers were quietly doing a different calculation:

“What can I afford… and what do I really wish I could afford?”

​The gap between those two answers is where the story lives.

​Across the decades, Britain’s best-selling cars were sensible, honest machines—often modestly powered and carefully priced. Meanwhile, the cars people dreamed about were faster, more glamorous… and typically two, three, sometimes four times the cost.
Mini 850
Austin 1100
Vauxhall Viva HB

​​🚗 1936
​
Bought: Morris Eight
Engine: 918cc sidevalve
Power: ~23 bhp
Top speed: ~55 mph
Price: ~£112

​Wanted: SS Jaguar 100
Engine: 2.5L / 3.5L straight-six
Power: up to ~125 bhp
Top speed: ~100 mph
Price: ~£395
Picture
👉 The reality: one cost about 3× more—and went nearly twice as fast.
👉 The dream: arriving anywhere sideways and admired.

🚗 1946
Bought: Morris Ten
Engine: 1140cc
Power: ~37 bhp
Top speed: ~65 mph
Price: ~£200
Wanted: Jaguar Mark IV
Engine: 2.5L / 3.5L
Power: up to ~125 bhp
Top speed: ~90 mph
Price: ~£700
Picture
👉 Post-war Britain didn’t really choose—it accepted.
👉 But if rationing hadn’t existed, the Jaguar was effectively three Morris Tens in a nice suit.

🚗 1956
Bought: Ford Popular
Engine: 1172cc sidevalve
Power: ~30 bhp
Top speed: ~60 mph
Price: ~£390

Wanted: Jaguar XK140
Engine: 3.4L straight-six
Power: ~190 bhp
Top speed: ~120 mph
Price: ~£1100
Picture
👉 This is where the gap becomes comical: one struggled uphill
👉 ​The other redefined Britain’s global reputation. 
​30 bhp vs 190 bhp, 60 mph vs 120 mph

🚗 1966
Bought: Austin 1100
Engine: 1098cc
Power: ~55 bhp
Top speed: ~85 mph
Price: ~£600

​Wanted: Jaguar E-Type
Engine: 4.2L straight-six
Power: ~265 bhp
Top speed: ~150 mph
Price: ~£2100
Picture
👉 The numbers tell the story: the E-Type had nearly 5× the power and cost over 3× as much.
👉 And yet—both cars represent British engineering at its best, just aimed at very different lives.

🚗 1976
Bought: Ford Escort Mk2
Engine: 1.1–1.6L
Power: ~50–85 bhp
Top speed: ~85–100 mph
Price: ~£1300

​Wanted: Jaguar XJ-S
Engine: 5.3L V12
Power: ~285 bhp
Top speed: ~150 mph
​
Price: ~£8900
Picture
👉 The Escort: Britain’s dependable workhorse.
👉 The XJ-S: roughly the price of a small house deposit in 1976.

🚗 1986
Bought: Ford Escort Mk3
Engine: 1.1–1.6L
Power: ~50–105 bhp
Top speed: ~90–110 mph
Price: ~£5000

​Wanted: Porsche 911 Carrera
Engine: 3.2L flat-six
Power: ~231 bhp
Top speed: ~150 mph
Price: ~£25,000
Picture
👉 By now the gap is less about survival, more about lifestyle.
👉 ​One gets you to work. The other makes you late—on purpose.

🚗 1996
Bought: Ford Fiesta Mk4
Engine: 1.25–1.4L
Power: ~60–90 bhp
Top speed: ~95–110 mph
Price: ~£8000
Wanted: Subaru Impreza WRX
Engine: 2.0L turbo
Power: ~215 bhp
0–60 mph: ~6 seconds
​
Price: ~£18,000
Picture
👉 This is where enthusiasts start reading spec sheets.
👉 ​Turbochargers enter the chat. Sensibility quietly exits.

🚗 2006
Bought: Ford Focus Mk2
Engine: 1.4–2.0L
Power: ~80–145 bhp
Top speed: ~110–125 mph
Price: ~£12,000
Top seller in 2006, continuing a long run of dominance 

​Wanted: BMW M3 E46
Engine: 3.2L straight-six
Power: 343 bhp
0–60 mph: ~5.2 sec
Price: ~£40,000
Picture
👉 The Focus was objectively brilliant.
👉 The M3 was objectively unnecessary—and that’s exactly the point.

🧠 The Numbers Behind the Dream
Across 70 years, three patterns emerge:
1. Power gap
Typical buyer: 30–100 bhp (early decades), rising to ~140 bhp
Enthusiast dream: consistently 2–5× more power
2. Price gap
Dream cars were usually 2–4× the price
Sometimes more (hello, XJ-S)
3. Performance gap
Ordinary cars: “fast enough”
Dream cars: transformational

Final Thoughts
The fascinating thing isn’t that people bought the sensible option. It’s that they knew exactly what they were missing.
Because whether it was a Morris Eight or a Ford Focus Mk2 parked outside… there was always something faster, louder, and far more exciting parked in the imagination.
​
On a personal note, shown at the start of this blog were my first three cars - a classic Mini 850, an Austin 1100 and a Vauxhall Viva. All were very definitely what I could (just about) afford at the time.
​Below is one of my current cars, which is the kind of car I have always dreamed of and never thought I would own. After a lifetime of being mostly sensible, it turned out that a 5.0L Supercharged Jaguar is just the thing!
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The Designers: Ian Callum - Unsung Maestro of Jaguar and Aston Martin Design

23/4/2026

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​When it comes to the world of automotive design, few names carry as much creative torque as Ian Callum. A self-described “car nut” since childhood,

Callum is celebrated behind the scenes and—more recently—on award show stages as the visionary who recharged not just one, but two of the greatest British car marques: Jaguar and Aston Martin.
Picture
His cars are at once familiar and daring; elegant and aggressive; soulful and rational. ​And yet, should you stop the average person on the street and whisper, “Ian Callum,” you might be met with a blank stare. That’s a shame, as his work has not only filled driveways, murals, and magazine covers, but has also, quite literally, saved legendary brands from oblivion.
Early Inspiration: A Child and an E-Type
Ian Callum was born on July 30, 1954, in Dumfries, Scotland. His lifelong obsession with cars began in earnest one fateful day when, as a small boy, his grandfather took him to see a gleaming Jaguar E-Type in an Edinburgh showroom. The incident was immortalized by Callum himself: “When I saw the E-Type in the flesh, it seemed to me that the future had arrived. It was so different and perfect… I’d never seen beauty like that before”. This childhood thunderbolt not only lit the fuse of his career but established “proportion and drama” as lasting touchpoints in his design vocabulary.

The Formative Years: Art, Industry, and a Bit of Serendipity
Callum’s journey into car design is as nonlinear as some of the curves on a Mustang. After a brief stint at Coventry University, he shifted course multiple times, picking up an industrial design degree from Glasgow School of Art, and eventually, a master’s in vehicle design from the prestigious Royal College of Art in London. He also credits a formative letter he sent to Jaguar at age 14. Not only did he get a reply—from then-Jaguar engineering chief William Heynes—but it advised him to hone his creative skills at art school, setting the stage for what was to come.
First Gears: Ford and The TWR Chapter
Callum’s first big break in the car industry arrived at Ford in 1979, where, as with many designers, he began with “less glamorous” components—steering wheels, mirrors, and other trim bits. Though unglamorous, Callum speaks of Ford as a boot camp for design fundamentals: “[At Ford] you really learn the nuts and bolts… because it’s all about creating something at a certain cost, certain weight, and everything else. It’s quite a strict regime, as you can imagine”.
Picture
​Ford’s worldwide reach allowed Callum to sharpen his creative toolkit across Japan, Italy, and Australia. He dabbled with the design of the Ford RS200—now a Group B rally legend—and contributed to the highly collectable Ford Escort RS Cosworth. In addition, he managed the Ghia design studio in Turin, where headline projects included the flamboyant Ghia Via, Zig, and Zag show concepts.
But for a creative spirit, corporate comfort had its limits. In 1990, Callum made the bold jump from Ford’s “giant studio at Dunton” into the “little tin shed” of Tom Walkinshaw Racing (TWR) Design in Kidlington. This move, which perplexed his Ford colleagues, proved to be his liberation—and Aston Martin’s as well.
Spark and Thunder: Callum’s Years at TWR and Aston Martin
Saving Aston Martin with the DB7
By the early 1990s, Aston Martin’s flame was fading, with the company producing barely fifty cars a year. Tom Walkinshaw saw an opportunity and recruited Callum to lead the design charge—initially using ideas and bones from Jaguar’s then-mothballed F-Type replacement project (XJ41/42).
The result was the Aston Martin DB7, a project notable for both its audacious thrift (many parts were sourced from Ford and Mazda) and its creative ambition.

​Callum’s team spun magic from the financial constraints, integrating humble Mazda 323 tail lights and door handles into what became one of the most admired and commercially successful cars in Aston Martin’s history. 
Picture
Launched in 1994, the DB7 is widely credited with saving the brand—and with it, Callum cemented his reputation as a designer who could blend beauty, practicality, and brand heritage with modernity.
​Other Aston Triumphs: Vanquish, Vantage, and Beyond
Following the DB7, Callum continued to shape the future of Aston Martin with several key projects:
​
  • Aston Martin Vanquish (2001): With its muscular stance and advanced materials, the Vanquish brought a fresh technological edge to the brand.

  • Aston Martin Project Vantage and DB7 Vantage: Bridging concept and production, these models channeled a more aggressive and performance-based identity.
    ​
  • Aston Martin DB9: While the DB9’s design is often attributed to Henrik Fisker, Callum stated that much of its underlying styling and surface language came from him before his departure. He estimates “pretty much 100 percent” of the DB9’s design, and “about 80 percent” of the V8 Vantage, were completed under his supervision.
Picture
Aston Martin Project Vantage
Picture
Nissan R390 Le Mans car
​His time at TWR also saw him expanding into non-British marques, including the Volvo C70 Coupe, Nissan R390 Le Mans car, and even the Ford Puma — a project he likened to “writing a chart-topping pop song” — fun, accessible, and universally beloved.
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RISING FUEL PRICES - Pumped Up & Put Out?

16/4/2026

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Rising fuel prices are sending shivers through Britain's classic car community — but the nation's most devoted oily-fingered optimists refuse to be beaten.
Picture
Picture
A fifteen-mile blast along a favourite B-road still costs less than a therapist, and works considerably better."
Picture
"The engine runs on optimism and old invoices. The petrol is, admittedly, more expensive."
There is a particular kind of stoic madness that grips a certain breed of Briton every weekend morning. You can spot them in driveways across the land: flat cap on, tea going cold on the workbench, knuckles bruised from a recalcitrant SU carburettor. These are the classic car enthusiasts, and right now, they are doing what they do best — grimly soldiering on in the face of adversity. The adversity, on this occasion, being the alarming cost of the juice that makes their beloved machines go.
​
Fuel prices have been creeping upward with the cheerful persistence of a bad penny, and for those whose weekend companions drink petrol like a distressed Victorian novelist drinks laudanum, this is rather more than a minor inconvenience. When your 1972 Triumph Stag returns something in the region of 18 miles to the gallon — on a good day, downhill, with a following wind — a trip to the shops and back starts to feel like a minor financial commitment.
The Great British Recalculation
​Up and down the country, owners of Morrises, Jaguars, MGBs, and Cortinas are quietly doing the mental arithmetic. The Sunday run to the local car meet — previously an act of pure uncomplicated joy — now comes with a small but nagging spreadsheet in the back of the mind. "It's not that I won't go," confided one E-Type owner we spoke to, gazing thoughtfully at his fuel gauge. "It's just that I now wave goodbye to the family with slightly more gravity than before."
​
The Austin-Healey crowd are particularly philosophical about it. These are, after all, people who willingly chose a car that requires the driver to remove the dashboard to access the heater controls. A bit of expensive petrol is hardly going to break their spirit. If anything, suffering is part of the appeal.
Picture
Creative Coping Strategies
The British classic car enthusiast is nothing if not adaptable. Already, ingenious solutions are emerging from garages across the nation. Some are simply doing shorter runs — a brisk fifteen-mile blast along a favourite B-road rather than an ambitious cross-country jaunt. Others are joining forces, organising convoy runs so that the petrol anxiety is at least shared among friends and therefore 30% more bearable through the power of community and biscuits at the halfway stop.

A small but committed faction is exploring ethanol blends and modern fuels compatible with older engines, engaging in the kind of earnest online forum research that would not look out of place at a small university. The threads are lengthy, technical, and deeply sincere. One post, running to forty-seven replies, debated the precise merits of E5 versus E10 petrol for a 1968 Hillman Imp with the seriousness of a parliamentary committee.
​
And then there are those who have discovered, with some relief, that the best classic cars were always the light ones. The owner of a 1963 Mini Cooper has been rather insufferably smug about the whole affair. "Fifty miles to the gallon," he mentioned, for the fourth time in a single afternoon. He was not wrong, but he was not making friends.
The Shows Must Go On
The summer show season — that glorious procession of village green gatherings, castle forecourt concours events, and airfield extravaganzas — remains defiantly intact. Organisers report no significant drop in entries, which says everything you need to know about the commitment levels of people who spent the previous autumn reupholstering their own seats and fabricating a correct-spec exhaust bracket from raw steel. You do not do those things and then decide the car is too expensive to drive to a show.
​
If anything, there is a renewed appreciation for the event itself — for the camaraderie, the gentle showing-off, the shared agony of comparison with someone whose restoration is inexplicably more perfect than yours despite them insisting they "just touched it up a bit." The drive to the show has always been the point, not merely the means. It is simply that the point now costs a little more per litre.
A Silver Lining (Optional, Like Most Options on British Cars)
Here is the cheerful truth that sits beneath all the grumbling: nobody who owns a classic car does so because it is cheap. They never did. Ownership has always involved a certain philosophical generosity toward unexpected expenditure, a willingness to shrug at bills that would make a sensible person weep, and a fundamental belief that these things are worth it because joy, once properly calibrated, is priceless.
Fuel prices going up is, in the grand tapestry of classic car ownership, somewhere between "annoying" and "just another thing." It sits comfortably alongside rubber seals that perish, chrome that pits, and the eternal mystery of where that rattle is coming from. Britain's classic car enthusiasts have survived worse.

​They will adjust the mixture, check the tyre pressures, pour themselves a flask of tea, and head out anyway — because some things, even now, are simply too good not to do. The roads are still there. The engines still fire. And honestly, at 18 miles to the gallon, every single one of those miles still counts.
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Hydrolastic Suspension: Britain’s Most Ambitious Attempt to Redefine the Car Ride

12/4/2026

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The invention, development, deployment, and retirement of BMC’s Hydrolastic suspension system

Few automotive technologies better capture the ingenuity — and occasional overreach — of post-war British engineering than Hydrolastic suspension. Developed under the British Motor Corporation (BMC) in the early 1960s, it aimed to solve a problem that had long frustrated small-car designers: how to give compact, lightweight vehicles the smoothness of a luxury saloon without sacrificing space or cost.

What emerged was one of the most innovative — and controversial — suspension systems ever fitted to mass-production cars.
​      BODY / SUBFRAME
           │
           │  rubber spring element
           ▼
   ┌───────────────────┐
   │   RUBBER CONE     │  ← acts as the spring
   │                   │
   │   hydraulic fluid │  ← transmits load
   │                   │
   │   damping valve   │  ← controls rebound
   └───────┬───────────┘
           │
        SUSPENSION ARM
           │
          WHEEL
Picture
🧠 The Idea: Why Hydrolastic was Invented

The origins of Hydrolastic lie in a convergence of two engineering minds:
  • Sir Alec Issigonis, designer of the Mini and the ADO16
  • Dr. Alex Moulton, rubber suspension specialist and innovator

At the time, small cars like the original Mini suffered from a major flaw: pitching — the nose-diving, tail-lifting motion caused by a short wheelbase and stiff suspension. The inspiration partly came from the hydropneumatic systems being developed by Citroën in France, especially the futuristic Citroën DS, which showed that fluid-based suspension could dramatically improve ride comfort.
But Moulton’s goal was different:
Instead of a complex hydraulic system with pumps and pressure regulation, he wanted something:
  • simple
  • cheap to manufacture
  • self-contained
  • suitable for mass production

⚙️ The Breakthrough Design

Introduced in 1962 and first used on the ADO16 Morris 1100, Hydrolastic replaced conventional springs and dampers with displacer units at each wheel.
Each unit contained:
  • a rubber spring element
  • hydraulic fluid
  • damping valves

The key innovation was interconnection:
👉 Front and rear wheels on the same side of the car were linked by a fluid pipe.
So when: the front wheel hit a bump → fluid was displaced backward → rear wheel was lifted slightly.
This created a remarkable effect:
  • reduced pitching
  • improved ride smoothness
  • natural anti-dive and anti-squat characteristics
Unlike conventional suspension, Hydrolastic also introduced a progressive spring rate, meaning the system stiffened as it compressed.

🚗 Development and Expansion (1960s–1970s)
Following success on the ADO16 (Morris 1100 / Austin 1100 / MG 1100), Hydrolastic quickly expanded across BMC’s lineup.
Key cars using Hydrolastic:
  • Mini (from 1964 onwards in some variants)
  • Morris 1100 / Austin 1100 (ADO16)
  • Austin 1800 “Landcrab”
  • Austin Maxi
  • Various Australian and export-market models
By the mid-1960s, Hydrolastic had become a defining feature of BMC engineering philosophy.

🌍 Real-World Impact and Reception
When it worked properly, Hydrolastic was widely praised:
Advantages:
  • Exceptional ride comfort for small cars
  • Reduced pitching motion
  • Space-efficient (no large coil springs required)
  • Clever use of rubber and fluid rather than complex hydraulics
Drivers often described Hydrolastic-equipped cars as:
“feeling like they floated over rough roads”

⚠️ The Problems Begin
Despite its brilliance, Hydrolastic had weaknesses that became more apparent over time:
1. Maintenance sensitivity
The system relied on correct fluid pressure. Over time:
  • seals degraded
  • fluid levels dropped
  • ride height became uneven
2. Complexity for mechanics
Many workshops were unfamiliar with the system, leading to:
  • poor servicing
  • incorrect pressurisation
  • early reputations for “sagging” suspension
3. Cost and production pressure
As British Leyland emerged from BMC, financial constraints became more severe.
Hydrolastic was:
  • more expensive than conventional steel springs
  • harder to standardise across multiple platforms

🔄 Evolution: Hydragas Takes Over
By the early 1970s, Hydrolastic was replaced by an evolution called Hydragas.
Introduced in 1973 on the Austin Allegro, Hydragas replaced the rubber spring element with a gas-filled chamber.
This provided:
  • simpler construction
  • improved ride control
  • reduced maintenance issues
However, it marked the beginning of the end for interconnected suspension in mainstream British cars.

🏁 Deployment Peak and Decline (1970s–1980s)
Hydrolastic itself was phased out gradually:
  • Mini reverted to conventional suspension in later years
  • ADO16 production ended in the 1970s
  • Austin Maxi was among the last major Hydrolastic cars (until 1978)
By the late 1970s, British Leyland prioritised:
  • cheaper manufacturing
  • simpler servicing
  • global platform compatibility
The industry trend had shifted decisively toward:
  • MacPherson struts
  • coil springs
  • torsion beam rear axles
Hydrolastic no longer fit the new economic reality.

🧭 Retirement and Legacy
By the early 1980s, Hydrolastic was effectively gone from production cars.
Its successor Hydragas survived a little longer, appearing in:
  • Austin Allegro
  • Austin Princess
  • MG Metro
  • Rover 100 and MG F (later adaptations)
But even Hydragas was eventually replaced by conventional suspension systems by the early 2000s.

🧩 Why Hydrolastic Still Matters Today
Although it disappeared, Hydrolastic remains highly respected among engineers and historians because it achieved something rare:
It delivered:
  • true inter-wheel suspension coupling
  • passive (non-powered) hydraulic operation
  • mass-production viability at scale
It also influenced later ideas in:
  • active suspension systems
  • adaptive damping systems
  • modern vehicle stability control thinking

🏆 Final Verdict
Hydrolastic was not a failure — it was ahead of its time but constrained by its era.
It represented a uniquely British engineering philosophy:
  • clever
  • elegant
  • slightly overcomplicated
  • and ultimately overtaken by cost and simplicity pressures

​Yet for a generation of drivers, it gave something unforgettable: a small car that rode like a much larger one.

Next time: How a Hydrolastic  displacer unit works and a comparison with Citroen's hydropneumatic systems.

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Hawke’s Bay Auto Extravaganza 2026

10/4/2026

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Classic Cars, Hot Rods, Steam & MORE! ​

Join us at the Repco Hawke’s Bay Auto Extravaganza 2026, filmed at the Tomoana Showgrounds on Sunday 5 April!

This epic community fundraiser in support of St John Ambulance New Zealand brought together an incredible mix of machinery and family fun. From beautifully restored classic cars and jaw-dropping hot rods, to working steam engines, lawn mower racing, and even hovercraft rides – this event had something for everyone. 🚗

Highlights include:
  • Classic and vintage cars from across New Zealand
  • Custom hot rods and unique builds
  • Live steam engine displays
  • Lawn mower racing action
  • Hovercraft demonstrations and rides
  • Car swap meet treasures
  • Trade stalls and great food

Whether you're a petrolhead, a classic car enthusiast, or just love a great local event, this is one show you don’t want to miss. 👍

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Live Restorations at NEC Resto Show 2026 | Metro, Mondeo, Raleigh Chopper & More

6/4/2026

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Step inside the Practical Classics Restoration Show 2026 and watch real enthusiasts bring iconic British machines back to life 🔧🇬🇧

Members of the Enthusiasts of British Motor Vehicles club get hands-on with a fantastic mix of projects, including:
  • Austin Metro restoration work
  • Mk1 Ford Mondeo repairs
  • Rare Austin J40 pedal car
  • Raleigh Chopper bike rebuild
  • Incredible miniature Jaguar D-Type

From tinkering to full-on problem solving, this is classic motoring passion in action. 👉 Whether you love classic cars, restoration projects, or just great engineering, there’s something here for you.

Subscribe for more classic car content and restoration stories!
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#ClassicCars #CarRestoration #PracticalClassics #BritishCars #RestorationShow
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